Horror in cinema has captured the imagination, and
attention, of viewers for generations.
From the natural to the supernatural, movies that invoke fear are among
the most memorable of the medium’s history. But there is a very wide margin between those works and ‘all
the rest.’ I don’t think I’ve ever
seen a horror movie and thought it was ‘pretty good’ or ‘so so.’ It was either great or it wasn’t. Why is that? What makes a horror film great?
Psycho killer movies are usually not among great horror
films. This subgenre has a
reputation of being largely trite, formulaic, and predictable. And psycho killer films that involve a
genius killer who leaves clues for law enforcement to follow can be more
intriguing than your typical slasher flick, still are more often than not
unremarkable. Yet David Fincher’s Se7en stands out as remarkable, even a
classic some might say. Why? The tropes listed above are all present
in Se7en and some (hot-head rookie
cop bites off more than he can chew when he partners with veteran cop who on
his last day before retirement takes on the case that ends up being the biggest
case of his life. Whew), yet it
stands out as a classic. So what
makes Se7en better than contemporary
titles such as The Bone Collector or
the Saw series? Those films employ many of the same
tropes, themes, and elements, yet one is better than the others. What makes this one better? And what
does that say about horror?
The biggest factor I believe is theme. Due to the historical importance and western
dominance of Christianity in the last millennia, Judeo-Christian myths are
among the most recognizable in the world.
And because of this, many great works of literature either influenced or
fueled the myths, and many of those works fuel this film as well. The seven cardinal, or deadly, sins
trace their roots back to early Christianity but were popularized in Dante
Alighieri’s Divine Comedy, a masterpiece
of western literature, and more importantly, at least for the film’s success, is
a story people are familiar with and interested in. I would be much more inclined to see a movie regarding the
seven deadly sins than a movie about the Arishadvarga
passions (Hindu) even though both theologies represent the same thing. So a movie that explores some of
Judeo-Christian’s less, well, Christian side is an appeal. And the religious subject matter only
strengthens the believability of the film as well. Religious zealotry is terrifying on its own and when it’s
combined with murder, especially ritualistic murder in an effort to teach God’s
will, is only more terrifying.
Another factor is
atmosphere. While the
atmosphere of Se7en is similar to
those of many horror films, it still deserves noting. Se7en is
gritty. The setting is of the
urban underbelly we don’t want to believe exists. The color pallet is for the large part gray. It rains most of the film with the
exception of the last scene.
Fincher is using setting to reflect what is happening in the plot to
great effect. What would Se7en be like in a sunny suburb? Probably not as remarkable I can tell
you that.
Another is cast.
The cast, while star studded, deserves noting though I feel like it
makes actually little difference.
Brad Pitt, Morgan Freeman, and Gwyneth Paltrow, play their characters
well though are not very memorable (to no fault of their performance, just
unremarkable scripting). Kevin
Spacey on the other hand, does a fantastic job as the almost cameo he has as
the killer. Only on screen for
fifteen or twenty minutes, Spacey brings the killings to life and really sells the
entire picture in a few short lines.
Which brings us to the last factor, and I believe one of the
most memorable. I saved THE END
for the end. The climactic climax
of Se7en turns the tropes upside down
and really sets it apart from the others.
Spacey’s character, Jon Doe’s, explanation of the murders and what his
plan has been the entire time makes the movie live and breathe. The ninety minutes or so of the film
start to feel a little more rounded and it really brings out what happens off
screen.
And it’s with each one of these factors working well together that makes Se7en stand out as a modern classic for other horror films in the same subgenre emulate and aspire to.
I like how you point out the strengths of the religious themes used in this movie. I also like the story a lot, but whenever I watch it I'm so drawn in by the setting and characters, the stand out story elements pale in comparison (except, as you say, THE END.) And while I wouldn't be more inclined to see to see a Judeo-Christian based story as opposed to a Hindu one, religions zealotry is terrifying in any case, yes.
ReplyDeleteIt's interesting that the use of the seven deadly sins was a big part of the appeal for you. I saw that as being very gimmicky (and in some cases not very believable). I liked the twist at the end, which is a trademark of Fincher's, but the rest kind of left me cold. I agree that Kevin Spacey is a standout in this film (as I think he is in most of his films), and I wish he had been in the movie more... I think. I don't know. Part of what's cool about his part is that he ISN'T in the film more.
ReplyDeleteFor me, what really put this movie over the top was the formal filmic elements. I suppose this is probably because I am a film scholar, but Fincher's style is really extraordinary in this film (for more, see my post... haha).